Chris

I received that magic email that my prints and scans are available this morning. Because this was a new camera, there were a few images that were too dark (low light never helps either.) Over all though, I am pleased with how very analog the film scans and prints look. The grain, the dust spots and even the occasional light leak are what makes them real as opposed to digital corrections. Check out more in the “FILM” section of the website.

In previous post I’ve shown a Field Notes notebook in the photo which was the inspiration for this webpage. The analog notebook is used to document and organize my film notes such as dates, film used, ISO, and the event the film roll is used for. 

Example: 

“7/15-7/25 Kodak Ektar H35 camera. Ilford HP5+ B&W 35mm film. 36 exposures at 1/2 frame yielding 72 exposures. Black & White night shots and urban photography.”

Other practical applications for the field notes book will include lands well-scaped, a portable Dorian Gray, drawings drawn, erased and redrawn, camera obscura, sunsets witnessed, Polaroids shaken, urban canvassing strategies, concentric thoughts, personalized personalizations, portraits of personable persons, found objects, lost objects, broken things, beautiful things, ephemeral ephemera, scenic scenery, collected collections, eclectic electric expressions, memorable memories, and a whole lot of shitty captures meant to pass off as art. 

I’ve just shot my last frame on the Kodak H35 camera using Ilford HP5+ BW film this morning. Now I am looking for a local developing lab. I want to have the roll developed, receive the negatives and a contact sheet and also to have them digitally scanned for the archives. Not an easy request in a smaller city and the demise of print labs everywhere. Up next, is the Lomochrome Metropolis 35mm film using the Pentax K1000 camera. Stay tuned…

I don’t like overpaying for film rolls. Film photography is not a niche market anymore. It is resurgent. Time for the prices to come down.

I don’t like the fact that I lose one roll due to loading issues inside the camera when the spool rejects the film. 

I don’t like wasting frames due to over/under exposure, composition, blur or, or, or…

I don’t like waiting for images to come back from the lab. 

I don’t like working out how to store all the prints and negatives. 

I don’t like the fact that I do not have a darkroom to develop and make prints at home. 

I don’t like film photography snobs and how they look down on digital photography.

I don’t like checking various websites for a good deal on film rolls and being disappointed.

I don’t like explaining to people that film photography is a thing and not a fad. 

I don’t like film photography. I LOVE it.  

I like the science of film developing with the smell of chemicals in a darkroom.

I like the magic of film developing when your image appears like an apparition after being immersed in those chemicals.

I like the fact there are no storage cards, no cables, or complicated touch screen menus on your film camera. 

I like the manufacturer’s branding on film packs the same way I enjoyed the VHS, cassettes and album covers. 

I like the email notification that tells me “your prints are ready to view!” 

I like the way I feel when I breathlessly open up that envelope containing my prints for the big reveal.  

I like hearing the shutter click. I like feeling the tension in the spool when advancing to the next frame. I like feeling the tension release when I’ve re-wound the spool to secure the roll. 

I like the way that each frame on the roll  can have its own unique exposure or grain or grit. 

I like seeing the negative strip when held against the light. It is ethereal. 

I like having a physical, tactile piece of chemical paper in my hand that has preserved a memory. 

For the past fifteen years, I’ve maintained a website dedicated to my photography. I have been an active photographer for thirty years. In those fifteen years my website has endured, it has seen a lot of changes in server hosting, domain name changes, design and now a new name- MojoChrome. Formerly known as “Photo Mojo” and “PhotoDenbow”, the new brand “MojoChrome” moniker is an homage to a brilliant film emulsion process from Kodak called Kodachrome that has since been discontinued. It also serves as an intention to get back into analog film photography over digital. I’ll still be a hybrid shooter of course, and even the digital work will be post-processed using a different technique I call “mojochrome.” 

I had first published this guide in early 2019 in an effort to simplify my post-process photography workflow using the 2018 iPad. After decades of desktop and laptop processing, I wondered if the iPad was a solution for me. 

Previous year articles from 2021 and 2019

Can the iPad replace the laptop for my photography post-process? 

So much has changed since then that I have continued the series and decided to write a new post about it. The evolution in gear, software, and process has been a fun process to look back on and wonder how we managed to get anything done at all. But where there is a will, there are many ways. I will cover what my photography workflow looks like, but ultimately, everyone needs to choose what’s right for them. Workflows are personal and modified as needed. This topic seems to be a crowd favorite because each year these posts receive a lot of traffic and attention (thank you!) 

A few months after that last post, I upgraded to the 12.9” Apple iPad M1 (5th Gen) and fine-tuned my workflow. Now, I also upgraded the laptop to the 2021 MacBook Pro M1, and it is no slouch. However, the photo workflow is different, limiting and feels almost antiquated. For now, the MacBook is a tool for me to curate my digital photo archives using AdobeLightroom and that’s it. Here are some of the ways an iPad is more beneficial to me: 

Multi-input workflow

Photography is a hands-on experience, and it is a joy to continue this on the iPad. Much like using your hands to develop your film negatives, so too are your fingers, the keyboard, and the Apple Pencil for finer control. Using a mouse to manipulate images is too impersonal for me now. 

Storage

Thanks to the iPad and cloud services, there is an easier, more secure way to store images you’ve taken. This allows me to focus more on what I want to do (photography), rather than moving files around. I have 2 TB of iCloud storage waiting to receive my image uploads from either my Nikon D90 camera or the iPhone. There is another 1 TB of storage in the Adobe cloud. Current images I am shooting are uploaded, stored and easily accessible on any of my devices. 

My data transfer and storage needs to be effortless, to the point I don’t have to think about it. I mentioned the MacBook and my archives previously- that’s the only time I want to think about storage. I do organize images on the hard drive and then migrate them into the Archives stored on the 10 TB external hard drive. 

Performance

The iPad has been granted a full-time job from me. It is the most powerful, fastest, and most interactive device I own. The ability to handle images in RAW format while asking for more work to do is remarkable to me. Battery life is spectacular, although it has a massive screen. Speaking of that massive screen, nothing makes me happier than reviewing my photos on such a beautiful screen. Much like the analog contact sheets, I can sort through quickly and determine which are the keepers and which get tossed into the digital bin. That M1 chip really knows how to process faster and distribute power evenly. 

Mobile

Sure, the 12.9” iPad is large, and the magic keyboard that it magnetically attaches to adds weight. But it is still smaller and lighter than lugging a laptop with all the dongles, charger and cables around. Something else I am enjoying is the 5G connectivity. The ability to travel, make images, load them up into the cloud instantly is nothing short of brilliant. Want to check the forecast for the next day’s shooting? Care to watch that video tutorial of local street photographers while you travel? Start post-processing your images and have them secured until you get back home? Publish your work while on the go? It is all possible with that iPad.

Hardware & Software

Below is what I minimally use to produce a maximum photography workflow. 

Apple 12.9” iPad Pro (5th gen) – My mobile photo lab.

Apple Pencil – Precision editing tool

CharJen Mini stick- A USB-C adapter with SD card port, charging port

Apple Magic Keyboard for iPad Pro – All in one keyboard & cover 

Apple Photos – Store, review, edit. 

Adobe Lightroom – for photo post-processing, organization

iCloud – for backup and syncing across devices using Photos app

Adobe Creative Cloud – for backup and syncing across devices in Lightroom

Extra Tools In The Darkroom

Capture tools include Nikon D90, iPhone, iPad Pro and a collection of analog film cameras. Post-processing labs include Adobe Lightroom, Pixelmator Pro, VSCO and Hipstamatic. Portfolio and galleries that host the final images can be viewed here or on Flickr.

Conclusion

The iPad is a great workspace for editing your photos. It is my personal, mobile photo lab. I can process my images in bed or on a plane, or even in between photo shoots when I am out and about. This makes the iPad the perfect tool for my photography.