Photography

I Like This About Film Photography

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I like the science of film developing with the smell of chemicals in a darkroom.

I like the magic of film developing when your image appears like an apparition after being immersed in those chemicals.

I like the fact there are no storage cards, no cables, or complicated touch screen menus on your film camera. 

I like the manufacturer’s branding on film packs the same way I enjoyed the VHS, cassettes and album covers. 

I like the email notification that tells me “your prints are ready to view!” 

I like the way I feel when I breathlessly open up that envelope containing my prints for the big reveal.  

I like hearing the shutter click. I like feeling the tension in the spool when advancing to the next frame. I like feeling the tension release when I’ve re-wound the spool to secure the roll. 

I like the way that each frame on the roll  can have its own unique exposure or grain or grit. 

I like seeing the negative strip when held against the light. It is ethereal. 

I like having a physical, tactile piece of chemical paper in my hand that has preserved a memory. 

Preservationists

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“We’re all so frightened by time, the way it moves on and the way things disappear. That’s why we’re photographers. We’re preservationists by nature. We take pictures to stop time, to commit moments to eternity. Human nature made tangible.

People are taking more pictures now than ever before, billions of them, but there are no slides, no prints. Just data. Electronic dust. Years from now when they dig us up there won’t be any pictures to find, no record of who we were or how we lived.”

Ben Ryder, Kodachrome

Changes

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For the past fifteen years, I’ve maintained a website dedicated to my photography. I have been an active photographer for thirty years. In those fifteen years my website has endured, it has seen a lot of changes in server hosting, domain name changes, design and now a new name- MojoChrome. Formerly known as “Photo Mojo” and “PhotoDenbow”, the new brand “MojoChrome” moniker is an homage to a brilliant film emulsion process from Kodak called Kodachrome that has since been discontinued. It also serves as an intention to get back into analog film photography over digital. I’ll still be a hybrid shooter of course, and even the digital work will be post-processed using a different technique I call “mojochrome.” 

Photography Workflow Using The iPad Pro M1

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I had first published this guide in early 2019 in an effort to simplify my post-process photography workflow using the 2018 iPad. After decades of desktop and laptop processing, I wondered if the iPad was a solution for me. 

Previous year articles from 2021 and 2019

Can the iPad replace the laptop for my photography post-process? 

So much has changed since then that I have continued the series and decided to write a new post about it. The evolution in gear, software, and process has been a fun process to look back on and wonder how we managed to get anything done at all. But where there is a will, there are many ways. I will cover what my photography workflow looks like, but ultimately, everyone needs to choose what’s right for them. Workflows are personal and modified as needed. This topic seems to be a crowd favorite because each year these posts receive a lot of traffic and attention (thank you!) 

A few months after that last post, I upgraded to the 12.9” Apple iPad M1 (5th Gen) and fine-tuned my workflow. Now, I also upgraded the laptop to the 2021 MacBook Pro M1, and it is no slouch. However, the photo workflow is different, limiting and feels almost antiquated. For now, the MacBook is a tool for me to curate my digital photo archives using AdobeLightroom and that’s it. Here are some of the ways an iPad is more beneficial to me: 

Multi-input workflow

Photography is a hands-on experience, and it is a joy to continue this on the iPad. Much like using your hands to develop your film negatives, so too are your fingers, the keyboard, and the Apple Pencil for finer control. Using a mouse to manipulate images is too impersonal for me now. 

Storage

Thanks to the iPad and cloud services, there is an easier, more secure way to store images you’ve taken. This allows me to focus more on what I want to do (photography), rather than moving files around. I have 2 TB of iCloud storage waiting to receive my image uploads from either my Nikon D90 camera or the iPhone. There is another 1 TB of storage in the Adobe cloud. Current images I am shooting are uploaded, stored and easily accessible on any of my devices. 

My data transfer and storage needs to be effortless, to the point I don’t have to think about it. I mentioned the MacBook and my archives previously- that’s the only time I want to think about storage. I do organize images on the hard drive and then migrate them into the Archives stored on the 10 TB external hard drive. 

Performance

The iPad has been granted a full-time job from me. It is the most powerful, fastest, and most interactive device I own. The ability to handle images in RAW format while asking for more work to do is remarkable to me. Battery life is spectacular, although it has a massive screen. Speaking of that massive screen, nothing makes me happier than reviewing my photos on such a beautiful screen. Much like the analog contact sheets, I can sort through quickly and determine which are the keepers and which get tossed into the digital bin. That M1 chip really knows how to process faster and distribute power evenly. 

Mobile

Sure, the 12.9” iPad is large, and the magic keyboard that it magnetically attaches to adds weight. But it is still smaller and lighter than lugging a laptop with all the dongles, charger and cables around. Something else I am enjoying is the 5G connectivity. The ability to travel, make images, load them up into the cloud instantly is nothing short of brilliant. Want to check the forecast for the next day’s shooting? Care to watch that video tutorial of local street photographers while you travel? Start post-processing your images and have them secured until you get back home? Publish your work while on the go? It is all possible with that iPad.

Hardware & Software

Below is what I minimally use to produce a maximum photography workflow. 

Apple 12.9” iPad Pro (5th gen) – My mobile photo lab.

Apple Pencil – Precision editing tool

CharJen Mini stick- A USB-C adapter with SD card port, charging port

Apple Magic Keyboard for iPad Pro – All in one keyboard & cover 

Apple Photos – Store, review, edit. 

Adobe Lightroom – for photo post-processing, organization

iCloud – for backup and syncing across devices using Photos app

Adobe Creative Cloud – for backup and syncing across devices in Lightroom

Extra Tools In The Darkroom

Capture tools include Nikon D90, iPhone, iPad Pro and a collection of analog film cameras. Post-processing labs include Adobe Lightroom, Pixelmator Pro, VSCO and Hipstamatic. Portfolio and galleries that host the final images can be viewed here or on Flickr.

Conclusion

The iPad is a great workspace for editing your photos. It is my personal, mobile photo lab. I can process my images in bed or on a plane, or even in between photo shoots when I am out and about. This makes the iPad the perfect tool for my photography.

Kodak Ektar

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With 35mm film costs rising like everything else, I thought I’d try the new Kodak Ektar H35- a new half frame camera. Instead of the standard 36 exposures I can get 72 out of one roll of film. Cannot wait to go out and shoot, then develop this test roll.

8 Exposures

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I was cleaning out some boxes in my storage area and came across a Polaroid camera and an unopened 2-pack box of Polaroid instant film. Better use it before I toss it and so I did another photo walk today. Only used 1 box so only 8 more frames after that and I am done with Polaroid. $17 or $2 each for shitty-quality is a deal breaker for me. I’ll stick to my Fuji instant square film for better results. Anyway, I’ve updated the instant film album on my photo website if you want to take a look at these and more.

The camera and the film

iPhone vs Camera

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The more I think about it, the more I like the idea of ditching all but one of my cameras and just use the camera built in to my iPhone.

Why?

An iPhone can untether the photographer because you have a full stack setup of a camera, a digital darkroom to process images and a publishing studio in your pocket.

You can point and shoot with your iPhone to make images, use Apple Photos to edit or a third-party app like VSCO or Snapseed to process them and then publish the keepers to your website or social media.  

Millie in downtown Chicago 2019 shot with iPhone 11 Max
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More articles about iPhoneography: https://www.chrisdenbow.website/iphoneography-tips/ https://www.chrisdenbow.website/crop-resize-my-photo-gear/ https://www.chrisdenbow.website/camera-minimalism/

The Negative:

If an iPhone has the same quality imaging as a standard digital camera what can be so bad about that?  More screen time on your phone and more distractions can be bad. You’ll experience neither of these when using a dedicated camera.

But… an iPhone is a perfect camera for almost everyone

If most of your images are uploaded to social media or just stored on your phone or in a cloud you don’t need another camera. An iPhone is perfect for this. You aren’t printing your photos and almost 50% of your images aren’t seen again until a few years later and you say “Oh yeah…I remember that” then you delete it.

When the time comes for a family portrait and you want to print archival-quality images, then you can dust off your DSLR camera.

Most of us don’t need better image quality or the largest sensor we need photo shoot ideas, imagination and creativity to make our images stand out.

Digital and Film

I love shooting film photography because every frame costs money and I need to take my time to enjoy the process as opposed to shooting thousands of digital shots and hope for the best. I try to find the best of both worlds by creating my own film emulations. For the past ten years I’ve developed my own film aethestic to try and duplicate my favorite film stock (see below.)

Left: Carlie on Ilford HP5+ black and white film Right: Carlie on Fujifilm Velvia 100 both created in my digital darkroom

The issue with digital photos is that almost all of them will die in the darkness of your hard drive. They won’t die alone because there are thousands of images that will never see the light of day again.

Left: Ilford HP5+ black and white roll of 36 exposures Right: Contact sheet of digital negatives from that same roll

All of that to say this: I think I’ve found my photo mojo again with a new project. I am going to blend the film and digital concept starting this weekend. I will go out for a photo walk with the iPhone and limit myself to only 36 shots, the same as a roll of 35mm film. I will then develop them in my digital darkroom using only one film stock aethestic and finally, pick my favorites and have them printed on archive paper. I’m looking forward to the hybrid process and now the weekend cannot come soon enough.

Oh, and I can’t wait to buy the iPhone 14 Pro Max later this year so I can use my iPhone 13 Pro Max as a camera only and not worry about dropping my new phone when shooting.

VSCO > Adobe

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I toggle on/off the urge to use Adobe Lightoom as a catalog library and photo editor for the past 16 years. I paid one price for it back in 2007 and then they went to a subscription-based plan a couple of years back. I moaned, groaned but eventualy relented and shelled out for it every year.

For now, I am going all-in with VSCO (Visual Supply Company,) as a photo host and photo social network. VSCO is an anti-Instagram alternative with zero advertising, and zero BS that comes with social media. It is designed for creators and always has been.

Gallery | photodenbow
Lifestyle Photography
VSCO®

Instead of a subscription-based Adobe Photoshop, I’ve been enjoying Pixelmator Pro. Then there is Darkroom and Snapseed and… those are some powerful tools for my mobile photography film lab.

Chances are in a few months that I’ll toggle Adobe back “on” but for now, I’ll be saving money and am done with them.  

ART::ificial

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In lieu of having enough time to go out and photograph something (anything!), I’ve been generating synthographs. Synthography is a method of generating digital media synthetically using machine learning. This is distinct from other graphic creation and editing methods in that synthography uses artifical intelligence text-to-image modeling to generate synthetic media. By using prompt engineering, text descriptions as input to creating a desired image. In simple terminology- type what you want to see and your artificially intelligent tools will create the image. Neat.

My new portfolio website, ART::ificial, (https://synthography.website) is a companion to the Photo Denbow website.

I am continually creating new media and will post them there as often as I can.

In addition to creating synthographs, I will also be curating them into a mood board or inspiration board.

All this for no other reason than it was just for the hell of it.

I’ve Lost My Photo Mojo

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Once upon a time, there was a camera in my hand every weekend off to explore and shoot. The camera was my passport and I went everywhere with it, including dangerous places I wasn’t “supposed” to go. I’ve noticed in the past year, however, that I just can’t be bothered. This bothers me. There is always something to shoot and yet, around here, I’ve seen it all and captured it. The last time I was excited about photography was on a return trip to New Orleans last year with the new Sony A7 mirrorless camera. But once again, it was ho-hum. The city wasn’t exciting as it used to be. The camera was just another camera.

For the past 365 days, I’ve tried shooting with only the Hipstamatic every day during “Snappy Hour”– that last hour before sunset with the golden rich colors. Yeah, it was a project but looking back now to me it was…boring.

Popular camera magazines have turned their printers off. A major photography website has shut down after 25 years. Most photographers are tired of watching or reading the same format hyped by journalists regarding the.next.big.thing. When you read/watch reviews of cameras you always hear about megapixels, shutter speeds, battery life, blah, blah, but not what sort of images are produced. No soul, just technology. There is more to photography than a large sensor or post-production digital editing.

I miss the hours spent with the film camera process of loading the film, advancing the next exposure, creating negatives, selecting the best images out of only 36 exposures and then running the images through the chemical fixer. Ahh those darkroom chemical smells!

Hold on…just spilled some pipe tobacco on the MacBook. Okay, where was I? I miss portrait photography in the way I want to make it. No wait, that’s for another post. Ahh yes, the wrap-up:

How do I get my mojo back? Do I go back to analog film photography and spend hundreds of dollars on film and film development? There is something to be said about the analog results- they have soul. Or do I sell most of my digital cameras and focus on just the one? Those brilliant but souless photos are more cost effective.

With the proper tools, anyone can make brilliant photos on the iPhone, but the computational photography takes a lot of the soul out of it too.

I am tired of the documentational photographs I’ve been shooting lately. I want to get back to making art. Maybe only then I can get my photo mojo back(?)